Posts Tagged ‘creative spirit’
Earthscapes Series and US Artists Projects
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I am working on a new series of paintings called, “Earthscapes.
The Earthscapes painting project creates a new series of 7 large format paintings that conceptualizes and contextualizes our relationship to water and its effects on society. The essence of my painting is landscape that discovers the effects of water and evokes the sense of place. The Evolutionary Landscape Series has been the focus of my artwork and Earthscapes has evolved o
ut of this work. In this project focus on imagery of satellite and microcosms view points of landscape and human relationships to it, and the behavior that has altered the ability for the Earth’s systems to cool the planet and my work will address the repercussions of action and inaction of the crisis.
I will blog updates and thoughts on process as I move forward with this new journey. Please join me on www.USAprojects.com and help support this endeavor.
Upcoming Spring 2013 Art Workshops in ABQ
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There are several classes being offered for adults at the North Valley and Highland Senior Centers. Please see our web page and sign up. You can pay for the class online or come to class and pay. Please remember to sign up if you are interested. We try to have at least 3 people and the limit is 8 people per class. Classes may cancel if we do not have the attendance needed. Whether you are experienced or a beginner you are welcome. Depending on the experience of the class each lesson will be geared towards the students interest. → Read more
Warhol Warhol Everywhere
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BY Rachel Wolff
A quarter century after Andy Warhol’s death, his work resonates more than ever. Several museum exhibitions are focusing on his influence in painting, photography, film, performance, and more
Deborah Kass, 16 Barbras (The Jewish Jackie Series), 1992, a Warhol-inspired series with wit and irony added
COURTESY THE ARTIST AND PAUL KASMIN GALLERY, NEW YORK.
“The worst thing that could happen to you after the end of your time would be to be embalmed and laid up in a pyramid,” Andy Warhol wrote in his 1975 book The Philosophy of Andy Warhol (From A to B and Back Again). “[I] like the idea of people turning into sand or something, so the machinery keeps working after you die. … I guess disappearing would be shirking work that your machinery still had left to do.”
Few artists are so eager and able to accurately assess their legacy, but there is something eerily prescient about Warhol’s grainy conception of death. His machinery, it seems, is still very much ticking away. His themes, processes, personas, and approach to making art are evident in everything from the ready-mades and Pop portraits of his direct descendents to the work of some of the most boundary-pushing conceptualists, abstract painters, and video artists working today. → Read more
Barbara Kruger Created the Billboards and Buses For the Best Ad Campaign in the City Right Now
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A Silver Lake billboard that recently hawked Avion tequila took on a very different tone last month. “SUPPORT PUBLIC EDUCATION OR FACE CATASTROPHE!” read the near-apocalyptic message in stark black type. On Santa Monica Boulevard, the wisdom of Robert Frost crept by in the same foot-tall, all-caps characters, wrapped around a Metro bus: “Education is the ability to listen to almost anything without losing your temper or your self-confidence.”
This campaign, which launched in October and has quickly become both the best-looking and most ubiquitous advertising on L.A.’s streets, is produced by art organization ForYourArt to benefit the Los Angeles Fund for Public Education (or LA Fund for short), a nonprofit co-founded by LAUSD superintendent John Deasy last year. And the artist is none other than the legendary Barbara Kruger, whose signature black, white and red graphics — like a public service announcement meets reassuring Mad Men-era advertising — reads spectacularly well in L.A.’s urban environment.
How smart can we get?
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Watch How Smart Can We Get? on PBS. See more from NOVA scienceNOW.
This is a great series about what it means to be smart. What were the circumstances that grew Einstein’s brain?
Nurture creates nature vs. nature creates nurture. The hypothesis is that playing a musical instrument (the Violin in Einstein’s Case) helps to access intuition.
How creativity and creative thought manifests ways of conceptualizations that can be attributed to problem solving. The actual act of creating art and focus on problem solving allows people to enter the “Zone”
Thus allowing for processes to appear, emerge to the top and to access other intelligences and perhaps intuition itself. Musicians that learn to play an Instrument as a young person developed “bumps” on the brain that may increase intuitive thought.
Growing the brain is important and to keep it in shape mandatory.
Universal Concern that Creativity is Suffering at Work and School
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See the www.borntodraw.com website Let me know how we might be able to create a space where we can roll out the Born to Draw® art curriculum.
Universal Concern that Creativity is Suffering at Work and SchoolSAN JOSE, Calif. — April 23, 2012 — New research reveals a global creativity gap in five of the world’s largest economies, according to the Adobe® (Nasdaq:ADBE) State of Create global benchmark study. The research shows 8 in 10 people feel that unlocking creativity is critical to economic growth and nearly two-thirds of respondents feel creativity is valuable to society, yet a striking minority – only 1 in 4 people – believe they are living up to their own creative potential.
Interviews of 5,000 adults across the United States, United Kingdom, Germany, France and Japan expose surprising attitudes and beliefs about creativity, providing new insights into the role of creativity in business, education and society overall.
Workplace Creativity Gap The study reveals a workplace creativity gap, where 75% of respondents said they are under growing pressure to be productive rather than creative, despite the fact that they are increasingly expected to think creatively on the job. Across all of the countries surveyed, people said they spend only 25% of their time at work creating. Lack of time is seen as the biggest barrier to creativity (47% globally, 52% in United States).
Education Concerns More than half of those surveyed feel that creativity is being stifled by their education systems, and many believe creativity is taken for granted (52% globally, 70% in the United States).
“One of the myths of creativity is that very few people are really creative,” said Sir Ken Robinson, Ph.D., an internationally recognized leader in the development of education, creativity and innovation. “The truth is that everyone has great capacities but not everyone develops them. One of the problems is that too often our educational systems don’t enable students to develop their natural creative powers. Instead, they promote uniformity and standardization. The result is that we’re draining people of their creative possibilities and, as this study reveals, producing a workforce that’s conditioned to prioritize conformity over creativity.”
Creativity Rating: Japan Ranked Most Creative The study sheds light on different cultural attitudes toward creativity. Japan ranked highest in the global tally as the most creative country while, conversely, Japanese citizens largely do not see themselves as creative. Globally, Tokyo ranked as the most creative city – except among Japanese – with New York ranking second. Outside of Japan, national pride in each country is evident, with residents of the United Kingdom, Germany and France ranking their own countries and cities next in line after Japan.
The United States ranked globally as the second most creative nation among the countries surveyed, except in the eyes of Americans, who see themselves as the most creative. Yet Americans also expressed the greatest sense of urgency and concern that they are not living up to their creative potential (United States at 82%, vs. the lowest level of concern in Germany at 64%).
Generational and gender differences are marginal, reinforcing the idea that everyone has the potential to create. Women ranked only slightly higher than men when asked if they self-identified as creative and whether they were tapping their own creative potential.
Four in 10 people believe that they do not have the tools or access to tools to create. Creative tools are perceived as the biggest driver to increase creativity (65% globally, 76% in the United States), and technology is recognized for its ability to help individuals overcome creative limitations (58% globally, 60% in the United States) and provide inspiration (53% globally, 62% in the United States).
About the Adobe State of Create Study The study was produced by research firm StrategyOne and conducted as an online survey among a total of 5,000 adults, 18 years or older, 1,000 each in the United States, United Kingdom, Germany, France and Japan. Interviewing took place from March 30 to April 9. The data set for each country is nationally representative of the population of that country.
For more information on the research results visit Adobe State of Create Global Benchmark Study and Adobe State of Create Infographic.
I would love to attend these classes. If you can afford it you should do it. – The Constant Learner- Elaine Cimino
http://www.gse.harvard.edu/ppe/programs/prek-12/portfolio/arts-and-passion-driven-learning.html
What You Will LearnDeepen your understanding of how learning takes place in and through the arts. Examine the role of engagement, connections, collaborations and communities in learning.
Presented in collaboration with The Silk Road Project Inc.
What You Will LearnDeepen your understanding of how learning takes place in and through the arts. Examine the role of engagement, connections, collaborations and communities in learning. → Read more
press release
June 19, 2012, 9:00 a.m. EDT
Ovation And Americans For The Arts Kick Off $110,000 Innovation Grant Program Online Application Process Now Open http://www.americansforthearts.org/get_involved/membership/innovation.aspSANTA MONICA, Calif. and WASHINGTON, June 19, 2012 /PRNewswire via COMTEX/ — Continuing its quest to recognize the role artists play in revitalizing their communities, Ovation, the only network dedicated to art, artists and all forms of artistic storytelling, has partnered with Americans for the Arts, the nation’s leading organization for advancing the arts and arts education, and has opened the online application process for its new national grant program, innOVATION. The online submission site, available at http://www.americansforthearts.org/get_involved/membership/innovation.asp , will be accepting applications for the inaugural innOVATION Grant Program until 5p.m. ET on July 31, 2012. → Read more
Elaine Cimino Studios
Registration for Art Classes July through December 2012
at the North Valley Senior Center
Please check a class and spark your creativity
o Learn Watercolor –July 17th –September 11th for 8 wks Cost: $75.00 o Pastel Workshop – September 18th– October 30th for 6wks Cost: $65.00 o Drawing for the Holidays and Special Occasions- November 6th -December 18th for 6 wks Cost: $65.00All Classes will be on Tuesday Afternoons at 4:30pm – 6:30pm
Method of payment
Cash, Check: Make payable to: Elaine Cimino Studios
Use SASE available at Senior Center Office
or use PayPal http://www.paypal.com for online payment
Instructions for PayPal, Go to PayPal website.
Click “send money” Button You will send to my email address
Contact me through this website
This oil painting resulted from a computer generated image that I designed for the Born to Draw Children’s Art Drawing Program. The computer image was to be a demo from the Matisse cut-out project that teach color and shape relationships to 3rd grade -6th grade children.
The composition of the piece had to fit an elongated format of the slab door without looking like a montage of two pictures juxtaposed.
There were objects changes from the original sketch. The paint is drying now and after completely dried I would like to apply to the painting a non-yellowing and UV protect varnish. There is not enough time to do that and allow the painting to completely dry before the artist reception. The painting was completed on a slab door 30″ by 80″ in oil. The sides and back ofhte painting is stain natural and has a hand wax and polished finish.
I hope that whomever purchases “When Life Serves You Lemons…” enjoys the painting for a very long time.